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Gomez Presley Impersonator
Image by familymwr
An Elvis Presley impersonator kisses 2010 Operation Rising Star winner Melissa Gomez on the Hollywood Walk of Fame during a break from her recording sessions at Firehouse Recording Studios in Pasadena, Calif. U.S. Army photo by Tim Hipps, FMWRC Public Affairs
Gomez exceeds Rising Star expectations in recording debut
By Tim Hipps
FMWRC Public Affairs
PASADENA, Calif. – Operation Rising Star winner Melissa Gomez exceeded her expectations while recording a three-song demo CD at DMI Music’s Firehouse Recording Studios.
“I’ve never thought I could sing as good as I just sang in there,” said Gomez, a 30-year-old former Soldier turned full-time Army wife and mother. “I was hitting notes that I didn’t know I could hit. And, Terry, oh my gosh, if I just had a few months with her, I wouldn’t be talking to you – I’d be talking to Oprah or somebody. I’d be famous.”
“She just really pushed me beyond boundaries I thought I couldn’t go past. The songs are coming out way better than I thought they would.”
Gomez was referring to vocal coach Terry Wood, who led the 2010 Operation Rising Star winner to unprecedented sounds inside the Southern California recording studio.
“I got her to the piano just to do some warm-ups and had her do some exercises and got her up to a high D, which I don’t think she ever in her wildest dreams thought she could hit,” Wood said. “And she does it easily. She’s experimenting and finding out what her voice really can do, without much effort, really.
“She’s got a unique sound and she’s just discovering who she is as an artist. I think right now she’s finding out even in this process that she’s got a lot more versatility in her vocals and dynamics than she realized.”
Gomez’s husband, Sgt. 1st Class Louis Gomez, confirmed those sentiments.
“I’ve heard her sing notes that I’ve never heard in the 12 years that I’ve known her,” he said. “She’s really come out of her shell and surprised most of us here. I’m extremely proud of her.
“I’ve always tried to support her singing. Being in the military, you have to give and take and make sacrifices. As many sacrifices as she’s made for me, I’ve always tried to support her endeavors to sing. I’ve always told her where there’s a will there’s a way. If we try hard enough, anything is possible.”
After deploying twice to Afghanistan and once to Colombia, however, Louis was concerned that Father Time was working against Melissa.
“As the years went by and times got tougher with deployments and stuff like that, I figured she was losing the opportunity,” he said. “She was growing older, and with my job, I’m rarely home. And when I’m home, I’m doing some type of training or school somewhere or TDY, and she’s normally left with a full plate at the house.”
Melissa, too, was beginning to wonder.
“It’s been a while since I’ve sang,” she said. “I’ve been kind of dormant for about four years, so I was like, ‘Am I out of my league?’ But it’s like riding a bicycle, it comes back eventually.”
For Gomez, it came roaring back like a motorcycle.
“I kind of likened it to Melissa being an instrument that we’ve all spent a little bit of time trying to play, trying to help grow to the next level,” said Victor Hurtado, who worked with Gomez on three different Army Entertainment Division programs: Operation Rising Star, Stars of Tomorrow and USA Express. “Terry took her and just transformed her to the next level. It’s not even the same person anymore.
“Melissa is proof that the heart, along with the pitch – the stars kind of aligned with the material. Her voice is different. Her voice is something that none of us have heard before. She passed my expectations by a million. I kept asking, ‘Was that Melissa? Was that Melissa?’”
Gomez was the first Operation Rising Star winner to copyright one of her own songs in Pasadena. She co-wrote “The Life” with a little help from Hurtado and U.S. Army Soldier Show music director Joey Beebe.
“It’s a good documentation of the life of a military spouse living with a Soldier and having a Family that moves a lot,” Hurtado said. “It will introduce the story very organically without really being in peoples’ faces. It just kind of says these are the circumstances and this is why we do it. It doesn’t tell anybody anything they don’t already know, but it gives them a direct perspective.
“It’s emotional, but it’s also very black and white.”
Gomez expressed her Puerto Rican heritage and sounded right at home in another song on the CD, the upbeat meringue “Poder,” which means power or to empower.
“It’s about military life and being a woman in this lifestyle, saying that I have the power to be a mother, a spouse, a Soldier,” said Gomez, who co-wrote “Poder” with Hurtado and Carlos Guillen. “It’s from my culture. It’s my music. We incorporated that into the other two songs, too – there’s like some bongos and congas and things you wouldn’t normally here outside of Latin music.”
“In Spanish, it says I thought I knew what power was when I was in the military, but now I’m empowered to be a mother, to be a wife,” Hurtado said. “It’s an interesting play on the word Poder and it embraces her culture.”
The other song on her demo, “The Dreamer,” written by Matt Moran, was Gomez’s winning song on Operation Rising Star and is being considered as part of the musical offerings for the 2012 Olympic Games in London, Hurtado said.
“She’s got a unique sound and she’s just discovering who she is as an artist,” Wood said. “She’s finding out even in this process that she’s got a lot more versatility in her vocals and dynamics than she realized.
“She’s a belter. She’s got a good strong belt, and she’s got some nice falsetto stuff. A lot of her journey from here on is just experimentation and listening to different styles and realizing that she can do them all.”
Despite working long days and nights in the studio, Melissa and Louis found time to cruise through Hollywood Hills and along Rodeo Drive. They explored the Hollywood Walk of Fame on Hollywood Boulevard and Vine Street and saw the Capitol Records building. They arrived just in time for the Grammy Awards at the Staples Center and to spend Valentine’s Day together in Old Pasadena.
Gomez got a kick out of being kissed by an Elvis Presley impersonator on the sidewalk outside Madame Tussauds Wax Museum. The plaza sits adjacent to the world-famous Grauman’s Chinese Theatre and the Kodak Theatre in Hollywood.
“I have to say [the highlight of my sightseeing adventure] was at the theatre when Elvis kissed me on the lips,” she said. “That was the funniest part. I loved that. It was just fun. I didn’t expect to come see lookalikes.”
Likewise, she had no idea how much work goes into recording three songs.
“It’s been really long days, like 12 and 13 hours, but that’s OK because they took good care of me,” Gomez said. “I’m just shocked at how much it takes to make one song and we’re kind of rushing through the process. If we actually took the real amount of time, it would be weeks before we put out a song.
“I never knew this many people had to put their hands on it for it to become a final product. By the time we finish, it’s like 50 people have taken part in one section of a song. I’ve learned a lot from that – especially hearing my own song come to life.”
Gomez heard just enough to make her yearn to return to the studio.
“I think this is something I’m going to pursue now,” she said. “Maybe try and put a little more time into some vocal lessons and really see if I can take it up a notch.”
She then saluted the U.S. Army for helping her find the way to L.A.
“This is pretty big,” Gomez said. “This is something that I probably could have never done on my own, so it’s a really big deal.”
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NYC – Metropolitan Museum of Art – Roman statue of Artemis and a deer
Image by wallyg
Roman statue of Artemis and a deer
Greek or Roman, Late Hellenistic or Early Imperial, ca. 1st century B.c. – 1st century A.D.
Artemis, known to the Romans as Diana, stands with her weight on her right leg, her left foot trailing. She wears a short chiton, appropriate to her role as goddess of silver, and elaborate sandals. Originally, she would have held a bow in her left hand. In other statues of similar type, the goddess is striding, but here she stands as if in epiphany, an impression that is emphasized by the high classicizing style of the figure, with its wind-blown drapery and strongly idealized features. A deer stands to her left, and there was possibly another small figure on her right, possibly a dog.
The statue and its base were cast in several sections by means of the lost wax method, as was characteristic in antiquity, and those parts were then joined together with flow welds. The artist and his workshop maintained a particularly high level of craftsmanship. The statue is said to have been found in Rome near the church of Saint John the Lateran, and it likely would have decorated a peristyle garden of one of the large ancient Roman villas or town houses in that area. The most important sanctuary of Diana for the anncient Romans was located at Aricia, some eleven miles outside of Rome, on the shore of Lake Nemi. That lake was known as the speculum Dianae (mirror of Diana).
Private Collection (L.2007.63)
**
The April 20, 2007 unveiling of the 30,000 square foot Greek and Roman Galleries concluded a 15-year project and returned thousands of works from the Museums permanent collection to public view. Over 5,300 objects, created between about 900 B.C. and the early fourth century A.D., are displayed, tracing the parallel stories of the evolution of Greek art in the Hellenistic period and the arts of southern Italy and Etruria and culminating in the rich and varied world of the Roman Empire from from the Late Republican period and the Golden Age of Augustuss Principate to the conversion of Constantine the Great in A.D. 312. The centerpiece of the new installation is the Leon Levy and Shelby White Court, a monumental, peristyle cour court with a soaring two-story atrium that links the various galleries and themes.
The Metropolitan Museum of Art‘s permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556
UOS Japan illustration by kozyndan
Image by dublabrat
JAPANAMANIA
This November we brought “UP OUR SLEEVE: the dublab covers project” to Tokyo and Kyoto. What a surreal excursion. Japan is far out. Tokyo is a megalopolis buzzing at the seams with inertia. No space is unoccupied for long. Human traffic flash floods every intersection. Great masses swirl in their busy courses weaving like bees bathed in neon. The constant bellows and barks of Parisians or New Yorkers are absent. The people of Tokyo move quietly. It is their buildings that do the talking. Giant video screens crown towers. Their flashes and screeches rapidly boast of the latest techno-gizmo as spazz-out techno breaks scatter across the block. It’s easy to experience vertigo from the ground here. Tokyo is compact and chaotic. Stores and restaurants are hidden deep within glass and steel exteriors. Want those boots? Take the elevator to the 16th floor, turn left, right, and try them on.
This is an altogether different land. If you don’t speak Japanese, voices splash your ears in chattering waves and Kanji phrases flutter like indecipherable butterflies into your mind. Give into the tide and you’ll fall in love. Or, get out and find piece of mind.
Kyoto is like Tokyo after deep breaths and bubble baths. It is an ancient city of mountainside temples and aromatic, alleyway shrines. Kyoto greeted our crew hugged by flaming autumn trees and sparkling streams. The city drifts on pleasant vibes. The pace is slow, the people warm. Kyoto and Tokyo have the exact same letters in their names. Is this coincidence or a sign of deeper power at work? You make the call. Meanwhile enjoy this article about Japan. Following are some random observations from an awestruck outsider.
???!!!JAPAN!!!???
CUTIES – Japanese girls are like beautiful bubblegum strolling the streets in leg warmers. All you can do to keep from chomping them up is fill your mouth with rice balls. (The wasabi and salmon variety are quite tasty.) Ladies don’t fret. This is not a place for one-sided gender shock. Everyone in Japan dresses fresh. They have ingrained fashion sense set on the future. My “relaxed” fashion sense looked slummy beside them. If I tied my shoes tight and smoothed my shirt on my next step I was sure to encounter a hip kid sans laces, sporting a giant wrinkled poncho and alligator mask. Damn it, they can pull off formal dress with a paper bag and string.
YUM – Food is cheap. It’s not dirt-cheap but who wants to eat dirt? You can score a tasty, filling lunch for . Dollar sushi spots are hot. If you are a vegetarian or avoid certain edible elements beware. If you’re a ten year old be even more aware. You’ll swear an extra from “Aliens” landed on your plate. If you’re an open minded eater chomp away cheerily. Octopus balls are a crispy culinary highlight. (Warning: there are no burritos in Tokyo).
INSERT COINS – Japan has the world’s most vending machines per capita. Around every corner these mechanical do-gooders give all night access your cravings. Whether that is underwear, beer, smokes, or chowder you’re in luck. The hot milk tea and hot apple tea will fill your life with love. They are always the perfect, tasty temperature. You’ll never encounter an empty machine or the magic elves that maintain them.
TRASH BAN – You’ll have more luck spotting a clan of bikini-clad daredevil armadillos than a trashcan in Tokyo. Most public refuse receptacles were removed after the serin gas attack by brainwashed cultists. Word is they stuffed ruthless wares in rubbish bins. At least the Japanese war on terrorism is reasonable. However, at any given moment I carried a pound of trash stuffed in my pockets. How does the place remain so sparkling clean? Refer to the magic elves above.
WONKA GONE WRONG – There is a very freaky trend in Japan. Some girls seemingly want to be reborn as Jamaicans. Walk in a mall and you’ll see ladies in “island attire” with bright orange skin and bleached perms. They look like bling bling Oompa Loompas. I’m not one to judge but if I did the score would be: CREEPY.
ROMPER ROOM – Traditional Japanese homes and restaurants cover their floors in woven Tatami mats. Before entering, slip off your shoes and ease into the comfortable world of straw. It’s fun to sit down for a meal and know at any moment you could reenact the famous underwear and socks slip’n’slide scene from “Risky Business.” If they question your undie undulations just reply, “I’m a baby Sumo!” Head to the powder room and you’ll find sandals awaiting your naked foot. It’s all quite liberating.
SHOP TIL YOU POP
I once heard that 80% of the world’s vinyl eventually ends up in Japan. Their record buying culture is intense. In some shops album prices hover between 0 and 0. If you want to pay your rent and still score some cuts here are a few suggestions.
ONSA RECORDS – This small, cozy spot in Shimokitazawa is an ultra-focused record boutique. It’s stocked with the hottest spectrum of slowbeat tunes. If you’re searching for Bubble Core, Warp, Fat Cat, Leaf, Tomlab, or other innovative micro-imprints this is the place. The attached teashop adds to the mellow vibe. Sip some oolong and spread almond cookie crumbs amongst next wave wax.
www.onsarecords.com
DISK UNION – This is a serious, pre-meditated threat to financial security. Floor upon floor upon floor of well-organized records greet vinyl lovers with a sinister grin. The extremely tasteful techno, experimental, and hip-hop floors inspire wide eyes but the used rock/jazz/world floor really floats the record collector boat.. Timeless albums by My Bloody Valentine, Can, Os Mutantes, Shuggie Otis, Serge Gainsbourg, Nico, Hugh Mundell, Stereolab, and more fill the shelves. The in-store stereo oozes vintage psych-rock sure to loosen joints and purse strings.
www.diskunion.co.jp
SPIRAL RECORDS – Nestled in Aoyama’s architecturally wowee-zowee Spiral Building you will find a specialty shop stocked with rich sounds. Equally offered are quiet electronics, unconventional hip-hop, dub, and Afro-Latin discs. This is also home to the excellent Farlove record label. If you visit, bow once, clap twice and buy their perfectly balanced Twilight World 2.0 compilation. It will serve as a superior sidekick on your Nippon trip.
www.spiral.co.jp
STAR SEARCH
We were introduced to some delightfully dizzy new music in Japan. Many discs exchanged hands with greetings and smiles. Take a look at some new Japanese music masters below. If any of these become the next Yellow Magic Orchestra you will know where you heard it first. Oh yeah, don’t forget the folks we couldn’t fit: Nobukazu Takemura, Masakatsu Takagi, Win a Sheep Free, Sangatsu, Susumu Yokota, World Standard, Tujiko Noriko, Ogurusu Norihide, Fantastic Plastic Machine, United Future Organization, Kyoto Jazz Massive, ShingO2, Towa Tei, and Ryuichi Sakamoto.
PEPE CALIFORNIA – Our pals Kozyndan turned us onto this Tokyo-based outfit. Their album the Nice Nice is a sunny jaunt found on Farlove Records. Drums (steel, trap, and electronic), percussion, violin, guitar, and bass mesh to elevate ears. Pepe California asked us to play an opening set for their gig in Yokohama, then suggested we scratch along live with one of their tunes, and finally invited us to sing a Ramones tune with them. We thought what the hell we’re in Japan. The dublab crew was in rare form indeed, whipping around the stage belting out “Blitzkrieg Pop” to a crowd of bewildered kids.
www.pepecalifornia.com
KB – Pepe California’s guitarist/bassist in solo mode. His sound swings similar to the breezy tone of the group effort but slightly more slippery. It’s subdued and dreamy. Paid Holiday is rich, hypnotic music for rowing boats or painting sunsets. The stained glass sparrow cover design by Bluemark is stunning.
www.bluemark.co.jp
AZERU – If you are a fan of the swirling chimes, lightly plucked guitars, and soft voices of Mice Parade then say hi to your new pal Azeru. The album Anchoyu glimpses relaxed moments of Japanese living. You can almost taste the bamboo waving in the wind. If you do, you might be a panda bear.
www.h3.dion.ne.jp/~bufflof
SLOWMAN – The debut album from Spiral Records buyer Sohei Tsurutani. The Floating Deck hits a perfect stride between techno thump and ambient waves. His upbeat tones sound like Herbert set adrift on memory bliss. This is a nice start for hopeful sound.
www.bitofheaven.net/english/artists_e/slowman/slowman.html
CAPPABLACK – We have been playing their music for years and were thrilled out of our britches to meet Hashim B., one half of Cappablack. This cat was raised in San Diego and has a global ear for sound. Cappablack’s output on Tokyo’s Soup-Disk label turns ears on with deeply dynamic hip hop pop offs. Soon they’ll release an album on Berlin’s ~scape.
www.soup-disk.com
RIOW ARAI – An ace beat machine man. We played two shows with him and at each he really freaked it. Using only two discs he cut back and forth skillfully, creating chunky new edits of his already mind tumbling beats. Check for Device People on Soup-Disk and Mind Edit, new on Leaf.
www.riowarai.com
Well friend, that was a teeny-weeny taste of Japan. Open your eyes for a second in Tokyo and you can take in ten thousand times what you just read. Regardless, I hope these words inspire you to dive deeper into Japanese culture. Start wearing a kimono each and every day, utter not an English word, and play the bamboo flute in local talent shows. There you go! You got it and got it good.
frosty
vavoom
Image by pilgrimgirl
Submitted for a "Certain Slant of Light" photo challenge, "A favorite indulgence."
This pic shows 4 indulgences:
1) This rose is from my new rosebush called "Vavoom." I’m a sucker for homegrown roses although I don’t much care for the storebought variety.
2) This blue bowl is from the Goodwill. I love buying random bits of kitchenware from the goodwill and seeing how it makes a rainbow of colors and shapes in my cupboard. I don’t like matchy-matchy dishwares.
3) Candles (can you see the drippy wax in the background?). I love candles and have spent more money that I should have on candles in the past. They have no practical value at all–they are purely decorative/soul-warming.
4) See that wooden table? I also like to indulge in gathering hand-me-down and freecycled stuffs. The table is from a professor friend and it actually came across the plains with her (not-LDS) family when they settled in the midwest somewhere. It has short legs because it was originally taller and the legs had to be sawed off so it could be used in the covered wagon. IMO, that table is just priceless and it makes a super-great background for photos, too.
5) and one bonus indulgence: this pic was taken on my backporch. I find porches to be the most indulgent space in the home. If/when I do own my own dreamhome it will have some hefty porches.
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Victorian Butcher’s Shop c.1900
Image by brizzle born and bred
image above: Unlocated. Butcher’s Hanging Meat Display.E.1900s.
The photograph below shows the carcasses of a local Bristol butcher (name & location unknown).
It was probably taken in early 1900 and shows the freshly butchered animals made ready for sale at Christmas.
For many of the poorer families fresh meat was something they could only rarely afford so they would save up to treat themselves at Christmas.
The Victorians valued good cooking and food. However, there were great differences between what the rich and poorer people ate. The rich ate a tremendous amount and wasted even more.
This wastage was at a time when a large proportion of the population were living on bread, dripping, vegetables and tea. The diet of the very poor was terrible. The unemployed, and others with little money, survived on little more than potato parings, rotten vegetable refuse and scraps.
For the destitute, hunger often forced them to seek a place in the workhouse where a diet of potatoes, cheese, bread and gruel was provided.
In Victorian times butchers would hang their carcasses in a prominent place to to entice people into their shops.
Whereas now we eat meat within a few days of the animal being slaughtered, then it was the custom to let the meat "hang" for several days or longer.
This was said to improve the flavour.
What’s for Dinner ?
Everything in the 1950s was better, right? Everyone knew their neighbours. You could leave your bike unchained and no one would nick it. Food was more wholesome. Those were the salad days… Well, the boiled potato days, anyway. Those were the golden days before prawn cocktail-flavoured crisps, fast food, ready meals and grazing sullied the good old British diet, and the obesity epidemic took hold.
Due to the economic strain of the Second World War, food was rationed in Britain from 1940 until 1954. As tough as these times were, rationing meant people were forced to follow a lower fat, lower sugar diet. They stayed slimmer as a result and had lower rates of heart disease.
Each person was limited to the following per week: 2oz of sweets – equivalent to one bar of Dairy Milk 2oz cheese – two matchboxsized pieces of Cheddar Approx 540g meat – roughly two chicken breasts and one small steak, meaning many meals had to be meat-free Sugar, jam, biscuits, eggs, cooking fat and dairy products were also strictly rationed.
More than half of all adults in the UK are now overweight or obese. And obesity among children leapt by 25 per cent between 1995 and 2002. The Government is in despair. There have been calls to put a tax on junk food, to ban it from schools, to restrict the advertising of less healthy foods to children and even to put warning labels on food.
Much of what we eat is a part of our culture and it’s strongly influenced by the types of foods we can grow locally. So meat and dairy products, bread and potatoes continue to be important even if, for some of us, they now tend to be in the form of hamburgers and frozen chips rather than the traditional roast beef and boiled potatoes.
Although the main components of the British diet haven’t changed, what has changed is how we put them together and what we add to them.
The main constituents are still basically bread, milk, meat and potatoes. But it’s still relatively low in fruit and veg and we’re eating less fish now than we did in the 1940s and 1950s.
Here is a more detailed look at some of the changes in our eating habits that have taken place since the early 1950s: During the Second World War people were encouraged to drink milk because of its high nutritional value, and this was particularly important for children. Our high consumption of milk continued until the mid-1970s, but since then we’ve been drinking less milk.
This is partly because other drinks, and particularly soft drinks, have become more popular. But the good news is that we’re now choosing more skimmed and semi-skimmed milk than whole milk.
While we’re eating about the same amount of cheese and cream as we used to, yoghurt has been increasing in popularity since it became available in the 1970s.
The number of eggs we eat peaked in the mid-60s and has been declining since. We now eat less than half the number of eggs we ate in the mid 1950s and 1960s.
When the Queen was crowned in 1953, food rationing was still in force, supermarkets were unheard of, and fish and chips were our undisputed national dish. How things have changed. But is our diet more healthy now than it was then?
The 60s were also the period when the British began their long-held love affair with shopping, as supermarkets and shopping centres were built. For many this transformed the weekly shop. But for some, there simply wasn’t the money to go on a spending spree.
The 1960s is renowned for being a decade of change, with different foods and cooking habits being introduced into the kitchen.
As people started to take the first package holidays, inspiration was brought home in the form of dishes like spaghetti Bolognese.
The gradual growth of Indian and Chinese communities, and the subsequent arrival of Indian and Chinese takeaways and restaurants, heralded the beginning of British people’s taste for these cuisines.
But fish and chips remained the nation’s favourite dish.
From the 1970s we began to eat less vegetables despite the fact that the birth of freezers meant that choice was no longer limited by season. Red meat was dished up on a regular basis, with the average person consuming 450g per week compared to just 247g today.
Fruit juice was a healthy arrival but only 12% of people drank it in the 1970s, whereas today the average person has 303ml per week.
Food facts
For the first time, in 1974, the large sliced white loaf began to be sold in plastic bags, so waxed paper was on the way out.
Smash, the instant dried mashed potato, was immortalised in a TV advert in which creatures from Mars laughed at the idea of digging up potatoes from the ground, peeling them, then cooking and mashing them.
But now Smash itself is old-fashioned compared to the revolution in convenience foods that has come since.
The 1970s was also a decade of high inflation and economic uncertainty. Fluctuations in world trade led to a sugar and paper shortage in 1974, while strikes led to occasional disruption of supplies to some shops.
Shopping
Frozen food became more widely eaten as the number of homes with freezers grew rapidly.
Two out of five households owned a freezer by 1979. New products were developed, such as boil-in-the-bag fish, though not all innovations survived the test of time.
Ready-prepared frozen foods, such as lasagne, chicken korma and gateaux, became popular.
Spending on food was down to about a quarter of the average family’s income. But the shopping revolution continued.
Supermarkets grew bigger, and more superstores began to appear, driving out local shops.
The growth in car ownership encouraged people to do a large shop once a week, so large car parks had to be provided.
The number of grocery stores continued to fall, from almost 150,000 in 1961 to only 60,000 in 1981.
The number of people taking foreign holidays continued to grow, fuelling interest in dishes from abroad. Sainsbury’s recorded growing demand in its stores for pizzas, fresh pasta, German bio-yoghurt, extra virgin olive oil, French bread and American ice cream.
A second wave of Indian restaurants was set up, partly stimulated by the independence struggle of East Pakistan that led to the setting up of the state of Bangladesh.
The trends towards more cosmopolitan eating were partly blamed for the decline in popularity of school meals.
Children wanted more choice and snack foods were competing with the meat and two veg on offer in the school dining room.
The golden age of school dinners came to an end in 1980. Local authorities were no longer required to provide meals for all children, though many continued to do so.
The authorities’ only duty was to provide free school meals for children from families with low incomes.
When Delia Smith first graced our TV screens, home cooking was declining but she wanted to get British people back in the kitchen by demonstrating basic cookery techniques. Since then, the enduring popularity of her no-nonsense approach has taken her career from strength to strength.
People became more health conscious in the 1980s. Pasta, which is low in fat and a good source of carbohydrates, really took off.
It was also the decade of speed – the birth of the microwave meant that meals could be ready in minutes.
In some ways this was a decade of contradictions: on the one hand we saw the popularity of delicate nouvelle cuisine and yet this was also the decade that the hamburger took off in the UK.
Today we can literally eat a different nation’s cuisine every day of the week.
The influence of Thailand on our food, for instance, can be strongly felt and people in Britain have developed a real taste for the aromatic flavours of Thai-influenced cuisine.
But alongside the growth in international cuisine, it’s interesting to see the revival of old British favourites with a contemporary twist – traditional sweets such as bread and butter pudding, and even offal dishes, are emerging on restaurant menus.
The potential is there to eat healthier than ever before – it’s just a matter of choice.
Classic dishes such as toad in the hole, bubble and squeak and hot pots are dying out are diasppearing from the family dinner table.
Bread and dripping was popular in the interwar years, especially among poor families hit by unemployment. Such families could not afford to waste any food, including the by products of any meat they were lucky enough to be able to buy. Dripping could also be bought at the butchers. Old-fashioned chip shops used to fry their chips in beef dripping. Today it has fallen out of favour as it is considered very unhealthy.
It’s fair to say tripe doesn’t have the best of reputations. It may have very few calories and be packed with more protein than a piece of steak, but there the attraction ends for many.
Few would relish the thought of tucking into a plate of gelatinous cow’s stomach – no matter how well disguised.
Top foods for dinner 50 years ago
1. Stew and dumplings
2. Liver and onions
3. Toad in the hole
4. Bubble and squeak
5. Hot pot
6. Jacket Potatoes
7. Oxtail soup
8. Faggots
9. Gammon
10. Cornish pasties
Top foods for dinner now
1. Roast dinner
2. Jacket potatoes
3. Spaghetti Bolognese
4. Pizza
5. Salad
6. Lasagne
7. Curry
8. Fish and chips
9. Pasta bake
10. Stir fry
